Punk · New Wave · Hardcore · Post Punk

Here is their first Lp after some aclaimed singles. Gories, Beat Happening, Subway Sect or Gun Club are in their road to your heart. If you're young and ready to destroy the worldm this record can be your soundtrack!

More Pop than their first Lp, Something Special is ready to make you dance. Lo-Fi with a mix of The Pastels, Beat Happening and The Clean!!

ARTIST: THE FUCKED FRIKIS
TITTLE: THE FUCKED FRIKIS
FORMAT: 7"
LABEL: DISCOS HUMEANTES
CATALOGUE NUMBER: DHR002

Punk ala Angry Samoans, Dead Kennedys, Middle Class or Circle Jerks!

ARTIST: LOS PLATANOS
TITLE: PIONEROS DEL DOLAR
FORMAT: LP
LABEL: DISCOS HUMEANTES
CATALOGUE: DHR013

From TV Personalities to The Pop Group, Siniestro Total, Nation Of Ulyses, Functional Blackouts or Parálisis Permanente.... 12 songs, 20 minutes of angst and raw power!

The Screamin' Targets is a Power Pop-Rock&Roll band formed by members of Nuevo Catecismo Catolico, Lili & The Tomboys and Supertrooper. They play Rock&Roll the same way their heroes, Flaming Groovies, Plimsouls, Nerves, Buel Angel, Rockpile....

ARTIST: LAS RODILLERAS
TITLE: 3
FORMAT: LP
LABEL: DISCOS CALAMIDAD
CATALOGUE NUMBER: -

Their second album is better than their great debut. 

Three women playin' dark rock&roll ala Desechables, Seres Vacios, Paralisis Permanente... Awesome!

One gets the feeling from the title and cover art alone that if the Cramps could have released this live document in Glorious Smell-o-rama they would have jumped at the chance. Even without it one can almost sense the whiffs of perspiration and energy the group was cooking up; recorded at New York's Peppermint Lounge withPowers on guitar, the quartet slams out a then mostly entirely new set of songs with, as expected, appropriate covers as needed. The wonderfully profane take on Hasil Adkins' "She Said" surfaces here, with Interiorsounding like he's about to die more than once. The Count Five's "Psychotic Reaction" and the perfectly appropriate "Faster Pussycat," taken from the legendary Russ Meyer film of the same name, also give the band more than a little something to chew on. As for the originals, the usual mess of swampy rockabilly and industrial strength noise comes together in just the right way from the start. "Thee Most Exalted Potentate of Love" gives Interior the chance to do his undead but still wired loveman thang right from the start, while Ivyand Powers hit the twang hard and Knox keeps everything going just right. "Call of the Wighat" is another highpoint, with Knox showing that he's up to more involved pounding and percussion when the need arises. A studio cut, "Surfin' Dead," surfaces as a ringer at the end; if not quite the Cramps go Beach Boys, it arguably forecasts the Jesus and Mary Chain's "Kill Surf City" just enough.

(allmusic.com)

After hard highschool fighting, we can announce the new ZORRAS ADOLESCENTES (TEEN SLUTS) LP. It is the fucking gem of the crown, hit after hit, these guys will teach you how to wash your asshole with your hand towel and how to leave it after well placed on its peg.

ARTIST: VICKYLEYTONES
TITLE: VICKYLEYTONES
FORMAT: LP
LABEL: BOTELLA RECORDS
CATALOGUE NUMBER: -

Great album! Raw Rock&Roll with some Pub Rock licks!

Third album by these brutally punk & rocking band in their unique destroying sound purely Crypt style. Extremelly loud, trashy, punk, rock, rusted, cheesy, rotten and disturbing, the record has been mastered by Mike Mariconda (Raunch Hands/ Devil Dogs) and includes liner notes by Tim Warren (Crypt Records).
After releasing their first album on Crypt Records (NYC, USA) and second in Australia, Bang! Records is ashamed to release their long delayed and not demanded 3rd album on April 2012.
If you´re into Cryptical sounds, you´ll be as seduced by it as we are!

ARTIST: DAN BRODIE & THE GRIEVING WIDOWS
TITLE: MY FRIEND THE MURDERER
FORMAT: LP
LABEL: BEAST RECORDS
CATALOGUE NUMBER: BR122

My Friend the Murderer was recorded live at Headgap Studios in Preston, Melbourne during 2010 by engineer Brent 'Sloth' Punshon (Adalita/The Nation Blue) with Brodie's new band, Dan Brodie & the Grieving Widows featuring Brodie on guitar and vocals, Dave Nicholls (Ian Rilen/Spencer P.Jones) on drums and Chris Brodie (Broken Arrows) on bass and lapsteel. Played with a sparseness of instrumentation, Brodie has created a classic Australian rock n roll record, lyrically channelling the troubled obsessions of people whose love has turned into hate, with disastrous consequences for all.

ARTIST: 4TEEN KILLERS
TITLE: KILL YOUR TV
FORMAT: LP
LABEL: H-RECORDS
CATALOGUE NUMBER: HR-020

Second record of this band from Madrid. Punk-Pop with female vocals and Ixma from la Broma De Sssatan on bass and vocals.

After a low-key decade-long run, Wisconsin's AluminumKnotEye finally unleash an album proper. These guys were making strange noise before strange noise was the current rave, before the nouveau indie bohemes copped the "art" schtick, before the last crop of garage punks dropped their Rip Off's covers and headed for discordant, angular horseshit that's as empty and worthless as it is fake. AKE are the real deal, and I love 'em for it. Think pieces of Chrome, the Residents, Big Black and Debris grafted onto the primitive r'n'r template birthed by the Pagans, the Electric Eels, early A. Cooper, etc., yet addled by the big-balls overdrive of early AmRep savagery and mangled by savage production. Keith's vox writhe and growl over the din as it explodes in short bursts and threatens to collapse, the barely-noticeable keys scraping weirdo patterns in the underbelly of it all the while. "Scales in the Tub" is tune of the year. Buy, or forever wallow in other boring stuff by other sub-par bands.

ARTIST: ALUMINUM KNOT EYE
TITLE: TRUNK LURKER
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB 54-1

After a low-key decade-long run, Wisconsin's AluminumKnotEye finally unleash an album proper. These guys were making strange noise before strange noise was the current rave, before the nouveau indie bohemes copped the "art" schtick, before the last crop of garage punks dropped their Rip Off's covers and headed for discordant, angular horseshit that's as empty and worthless as it is fake.

Noisy and frenzy blend of wild-schizoid-futuristic punk, well ahead of his time featuring sounds maybe you could relate to Devo, Chrome, Residents, Suicide or Silver Apples.

Lagarto (Los Imposibles) join Safety Pins to cover Sex Pistols, Uk Subs and Sham 69.

Lo-fi Punk with bass and voice, who need more?

ARTIST: ALEST Y SU ESCUADRON BONOBO
TITLE: LA ERA DE LA TIJERA
FORMAT: 7"
LABEL: ANIS DEL MONO RECORDS
CATALOGUE NUMBER: -

Maximum Punk Power Pop from Spain!

Their debut on vinyl. From Madrid, chaotic sound and raw guitars!

ARTIST: MIRIAMPLACE
TITLE: GET IN THE SULKY
FORMAT: LP
LABEL: PANIC RECORDS
CATALOGUE NUMBER: NOW0596

First Lp, released in 1997. Hardcore Punk from Treviso, Italy.

New album, same Punk sound! Two bass palyers, drums and dirty tongues...

ARTIST: BILL BONDSMEN
TITLE: SWALLOWED BY THE WORLD
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB 76

Swallowed By The World,’ is the BILL BONDSMEN ’s first album and it’s not really presenting all that cheery a picture. These songs scream about lousy jobs, barely having enough money to make your mortgage payments, paying for prescriptions, having the electricity shut off when you can’t pay the bill etc. On this album, instead of going for any sort of slick sound, things sound rougher.

ARTIST: BLASTROCK
TITLE: LIKE IT HARD!
FORMAT: 7"
LABEL: ZORCH PRODUCTIONS
CATALOGUE NUMBER: ZS-19

Sweden Punk Rock to the max! with a sound close to Motorhead!

ARTIST: BIRTH
TITLE: BIRTH
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB 88

Devastatingly punishing debut here from Chicago dirtbags BIRTH! Bathed in the same filth as Brainbombs, Drunks With Guns, Flipper and Big Black; BIRTH take cro-magnon riffs and shred 'em to bits as the sky collapses around 'em and they're buried in a pile of smoldering barbed wire.

ARTIST: C-MEN
TITLE: THE WICKED E.P.
FORMAT: 7"
LABEL: PURE VINYL RECORDS
CATALOGUE NUMBER: PV 016

Hard-Rock-Punk ala Turbonegro, Turpentines o Gluecifer...

ARTIST: COPROLITOS
TITLE: MISS MELILLA
FORMAT: 7"
LABEL: BLONDES MUST DIE RECORDS
CATALOGUE NUMBER: 11

Now these four from Madrid have recorded another five songs that stand out with the ever powerful voice of María. They remind us that their influences still combine that classic KBD sound, the speed and competence of more current groups like the Tyrades and the talent and magic of 80s Spanish Punk classics like Ultimo Resorte. A truly extraordinary single that shows the best side of modern Spanish punk.

ARTIST: COPROLITOS
TITLE: COPROLITOS
FORMAT: 2x7"
LABEL: BLONDES MUST DIE RECORDS
CATALOGUE NUMBER: 14

To say that the last record by Coprolitos is excellent is stating the obvious, although is not bad to make things clear from the beginning. Luckily, despite the images included in the album, it hasn't been necessary to sell Coprolito's soul to the Evil one in order to compose and stamp in a state of the art double 7" those new (and fucking good) eight songs, it's simple, is just the product of their talent and their ability to combine, like very few other groups know how to do, Punk KBD with Spanish Punk.

ARTIST: THE BOTOX RATS
TITLE: MODERN CAESARS
FORMAT: LP
LABEL: MEATY BEATY RECORDS
CATALOGUE NUMBER: MBR-06

The debut full-length LP from London's foul rock 'n' rollers The Botox Rats. 11 cuts of barefaced, shameless punk rock from the filthy streets of Soho. Featuring members of The Disco Lepers, The Echo Chords and The Shanghai Wires. Just like their name, these vermin mix breath-taking beauty with repulsive grime, romantic depravity and excuisite repugnance.

ARTIST: PAJAMA SLAVE DANCERS
TITLE: HEAVY PETTIN' ZOO
FORMAT: LP
LABEL: RESTLESS RECORDS
CATALOGUE NUMBER: 7 72307-1

Their 5th record, released in 1989. Punk Rock ala Buzzcocks/Boys.

Followup to their debutalbum "it's too late" which got rave reviews all over.11 tracks,including Bo Diddley & Stooges covers,a bit louder & stronger than their previous material but still with as many catchy hooks.They have been compared to the Heartbreakers,Real Kids,Zeros & Registrators & this album is a perfect mix of all of those.

Recorded live in Dallas in 1995!

On Pablum, Claw Hammer once again put hard rock and blues through the punk wringer. In comparison with 1992's Ramwhale, the songs are perhaps more concise and the album more cohesive as a whole, but that's not to say that things have been toned down for this release. On the contrary, although Pablum displays a more focused approach, it's infused with a greater measure of explosive energy than its predecessor. From the outset, as the band crashes unceremoniously into the frantic, staccato charge of "Vigil Smile," Pablum has a feel of managed mayhem. This is a band seemingly operating on the brink of sonic anarchy at all times. Indeed, that precarious balance between chaos and relative order is one of the most compelling features of Claw Hammer's sound. Throughout Pablum, the group achieves that balance with a combination of signature elements: Jon Wahl's verge-of-a-nervous-breakdown vocals, a guitar assault that often puts songs into overdrive and threatens to push them over the edge, and a talent for seamlessly integrated stop-start rhythms and bursts of sudden acceleration. Although abrupt shifts in intensity and pace are a crucial characteristic of Claw Hammer's often frenzied sound, there's also a more intricate dimension as the band incorporates changes in time signature. "Pablum on My Mind," for instance, occasionally breaks into a near sea shanty lilt that gives the number a playful, off-kilter flavor. On the album's standout track, "William Tell," Claw Hammer's more frazzled, manic tendencies are amplified by Wahl's punctuating blasts of harmonica. Those harp squalls lend a blistering, crazed feel that's entirely appropriate to the song's apparent subject matter -- William Burroughs' bizarre murder of his wife. All told, the title of Claw Hammer's fourth album is supremely ironic: Pablum is about as far from bland, insipid entertainment as you could get.

(Allmusic.com)

ARTIST: CORDURA
TITLE: EL INCENDIO MÁS LARGO DEL MUNDO
FORMAT: LP
LABEL: CARNUS RECORDS
CATALOGUE NUMBER: CR-48

From Euskadi Country a mix of Hardcore, Metal, Rock&Roll and Pop!

ARTIST: THE CRIME KAISERS
TITLE: THE CRIME KAISERS
FORMAT: LP
LABEL: ... STEREODRIVE! RECORDS
CATALOGUE NUMBER: STD! 20

Following their great Split 7” with Silver Tongued Devil and their 2 debut 7”es for Incognito and Intensive Scare this bunch of madmen from the South has finally managed to record their first full length album. Complete with that great, driving sixties-styled organ, cool songs and loaded with hard hitting riffs The Crime Kaisers have avoided falling into “that same old same old” routine and surprise us with fresh sounding, hook-laden overdrive Rock’nRoll, incl. attitude galore and that special something.

ARTIST: DA WILLYS
TITLE: SATURDAY NITE PALSY
FORMAT: LP
LABEL: BREAK OUT RECORDS
CATALOGUE NUMBER: LC 6811

First and last album of this New York band from late 80's. Think about The Dictators, Texas Terri...

ARTIST: DRAMA
TITLE: SIN PERDON
FORMAT: 7"
LABEL: OJALA ME MUERA RECORDS
CATALOGUE NUMBER: OMM-11

Drama from Barcelona (Spain) brings some good old hardcore/punk vibes with a nice metallic touch. They've been compared to classic acts like Cro-Mags and listening to some of the newer songs I could agree with that. The band has just released their new 7" called Sin Perdon.

ARTIST: DC SNIPERS
TITLE: MISSILE ME
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB-62

The Snipers have proven it’s not impossible. This album is not only good it's great!! Taking cues from other musical pioneers like the Screamers, Gang of Four, Urinals and the Electric Eels; the DC Snipers forge into their own fragmented, audience-less sector and begin to build a following based on songs that are undeniably catchy without sticking to a musical ‘script’. The most difficult part of being in a proto/art punk/whatever band like this: is to do something completely inovative and different.

ARTIST: DEAD HOOKERS
TITLE: THE BURIAL
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB-69

For those not in the know the Dead Hookers are Dead Lukes band, before he started recording solo as Dead Luke. The Dead Hookers can loosely be classified as a garage band. Their songs are centered around traditional 60’s garage riffs. But instead of restructuring and rehashing the same ‘ol Back From The Grave tunes, the Dead Hookers bring something completely refreshing to the table. They adjoin their fuzzy, decayed Nuggets-like tunes with trippy, blissful psychadelic interludes.