Punk · New Wave · Hardcore · Post Punk

ARTISTA THE HANGUPS
TITLE: THE HANGUPS
FORMAT: 7"
LABEL: MONSTER ZERO RECORDS
CATALOGUE NUMBER: MZ#65

Introducing The Hangups from Malmö, Sweden! Monster Zero brings you the debut EP by this classic 3-piece. They deliver four solid, melodic punkrock tunes inspired by the Ramones but also with a lot of the Lookout! era vibes. Do you like drinking beer and riding your skateboard? Do you think that life sux sometimes? Are you scarred by love? Do you hate mean people? Then this might be your jam! Hej ho, låt oss gå!

Released in 1991, four years into Cerebros Exprimidos' 10-year career, "Bonzomania" had the mission of reflecting the four piece's true creative momentum. "Más suicidios", their previous album, featured tracks that had been stored up for too long, which didn't really represent what the band was coming up with in the new decade. Until that moment, several demos, tracks scattered around compilations, a mini-LP, the aforementioned "Más suicidios" and an extensive live activity had already clearly confirmed that this turmoil of island isolation which came out of Majorca's tourist pigsty was the most genuine punk-rock gesture in 90s Spain, with La Perrera's permission.

ARTIST: SELVATICA
TITLE: MACUMBA
FORMAT: 10"
LABEL: DISCOS DE KIRLIAN
CATALOGUE NUMBER: DK69

Fourth record of this Post-Punk band from Vigo, Spain, influenced by the sounds of the dark jungle!

ARTIST: TENSION
TITLE: TENSION
FORMAT: LP
LABEL: RADIKAL 1977 RECORDS
CATALOGUE NUMBER: RK 028

First album of this Hardcore-Oi! band from Madrid.

ARTIST: RADIO 77
TITLE: TERRORISMO JUVENIL
FORMAT: LP
LABEL: DISCOS REGRESIVOS
CATALOGUE NUMBER: DR-11

Reedition of their first album, released in 1995. Punk Rock from Madrid.

ARTIST: LAUNCHER / THE FREAKEES
TITLE: SPLIT
FORMAT: 7"
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: NFTR 236

Two Punk bands from Los Angeles sharing vinyl!

ARTIST: SISTA BRYTET
TITLE: DEAD BEFORE YOU KNOW IT
FORMAT: 7"
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: NFTR 232

Four new cuts from Sweden's melodic punks!

ARTIST: BABY HAIRS
TITLE: BABY HAIRS
FORMAT: 7"
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: NFTR 230

Their first single!

ARTIST: ISOLATION PARTY
TITLE: FIBREOPTIC HOLIDAY
FORMAT: LP
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: NFTR 233

Amazing debut from London, Ontario's Trash Pop/Post Punks. Ten cuts of angular and catchy Punk Rock.

ARTIST: T.V. DRUGS
TITLE: WE'RE NOT TV KIDS
FORMAT: LP
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: NFTR 237

Amazing KBD SynthPunk from Italy. Originally recorded in 2011, this is just seeing the light of day now. Sounds like it was recorded in 1978/79 and like a mix of Los Reactors, The Screamers and The Viletones. This is a masterpiece not to be missed!

ARTIST: SAFETY PINS / THE HELLBENDERS
TITLE: SPLIT
FORMAT: LP
LABEL: DEAD BEAT RECORDS
CATALOGUE NUMBER: DB 30

Two heavyweights of worldwide Punk Rock sharing vinyl!

Released in 2001, Punk and Hard Rock explosion!

ARTIST: THE BARBARELLAS
TITLE: QUEEN OF THE GALAXY
FORMAT: 10"
LABEL: SYMPATHY FOR THE RECORD INDUSTRY
CATALOGUE NUMBER: SFTRI 560

Second and farewell album of this Punk Rok & Roll combo from Norway.

ARTIST: THE DERITA SISTERS AND JUNIOR
TITLE: THE UNITED STATES OF THE WORLD
FORMAT: picture-10"
LABEL: INCOGNITO RECORDS
CATALOGUE NUMBER: INC. 091

Punk rock old school band from California.

On Pablum, Claw Hammer once again put hard rock and blues through the punk wringer. In comparison with 1992's Ramwhale, the songs are perhaps more concise and the album more cohesive as a whole, but that's not to say that things have been toned down for this release. On the contrary, although Pablum displays a more focused approach, it's infused with a greater measure of explosive energy than its predecessor. From the outset, as the band crashes unceremoniously into the frantic, staccato charge of "Vigil Smile," Pablum has a feel of managed mayhem. This is a band seemingly operating on the brink of sonic anarchy at all times. Indeed, that precarious balance between chaos and relative order is one of the most compelling features of Claw Hammer's sound. Throughout Pablum, the group achieves that balance with a combination of signature elements: Jon Wahl's verge-of-a-nervous-breakdown vocals, a guitar assault that often puts songs into overdrive and threatens to push them over the edge, and a talent for seamlessly integrated stop-start rhythms and bursts of sudden acceleration. Although abrupt shifts in intensity and pace are a crucial characteristic of Claw Hammer's often frenzied sound, there's also a more intricate dimension as the band incorporates changes in time signature. "Pablum on My Mind," for instance, occasionally breaks into a near sea shanty lilt that gives the number a playful, off-kilter flavor. On the album's standout track, "William Tell," Claw Hammer's more frazzled, manic tendencies are amplified by Wahl's punctuating blasts of harmonica. Those harp squalls lend a blistering, crazed feel that's entirely appropriate to the song's apparent subject matter -- William Burroughs' bizarre murder of his wife. All told, the title of Claw Hammer's fourth album is supremely ironic: Pablum is about as far from bland, insipid entertainment as you could get.

(Allmusic.com)

Recorded live in Toronto on October 28, 1982 during the Zombie Birdhouse Tour, this live album shows the iguana in top form and reconciled Mr. Ostenberg with his fans thanks to this incredibly wild performance.

ARTIST: FANTASMAMIDI
TITLE: LETARGO
FORMAT: LP
LABEL: DISCOS DE KIRLIAN
CATALOGUE NUMBER: DK 74

Punk, New Wave and Dadá!

ARTIST: THE SCAMPS
TITLE: ROCK'N'ROLL BASTARDS
FORMAT: LP
LABEL: WILD YOUTH RECORDS
CATALOGUE NUMBER: WYRLP 6604

Released in 2000, the third album of this Garage & Psychobilly combo!

ARTIST: DEMONS
TITLE: WAS HERE
FORMAT: 7"
LABEL: GHOST HIGHWAY RECORDINGS
CATALOGUE NUMBER: GHR-182

Limited edition handnumbered. 200 copies in black vinyl.

Limited edition of 250 copies!

ARTIST: LA RABBIA
TITLE: CONSUMED BY PARANOIA AND FEAR
FORMAT: LP
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: #258

The second full-length from London's LA RABBIA. 14 new punk rock cuts sung in English and Italian that bring to mind Crisis, The Mob and Wire.

ARTIST: DIRTY CHEETAH
TITLE: NEVER TOO LATE
FORMAT: LP
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: #255

This Montreal foursome unleash a full-on sonic wildfire on this 10-song album that brings a non-stop assault of scorching guitars, pummeling drums & bass and anthemic shout-along choruses.

ARTIST: MISCALCULATIONS
TITLE: THE PERFECT CANDIDATE
FORMAT: LP
LABEL: NO FRONT TEETH RECORDS
CATALOGUE NUMBER: #248

Brand new LP from London punks featuring members of The Gaggers.

Debut full-length for Oklahoma ’77 style snot punks.

ARTIST: SANGUISUGA
TITLE: SANGUISUGA
FORMAT: LP
LABEL: WANDA RECORDS
CATALOGUE NUMBER: WR0128

Debut album from London’s Italian-speaking punk rockers featuring members of The Gaggers and Miscalculations.

FM Broadcast Live, Volkhaus, Zurich, April 21st, 1986.

Hailing from Beith, Scotland, Chaotic Youth are still one of the best kept secrets of 80's uk punk. Their long out of print and extremely rare E.P. from 1982, "Sad Society", is an abrasive gem of pure UK82 sound... raw, angry, mean and catchy in all the right proportions, the powerful testament of a band that broke up too soon, disappearing not long after its release. It finally gets a well-deserved first vinyl reissue here, gathered with the tracks the band released in two compilations 'A Country Fit For Heroes' and 'Total Anarchy' and making it the definitive collection of a great band that could stand proud next to the big names. 7 tracks of pure and glorious Uk82 mayhem!

ARTIST: CLOROX GIRLS / KISSIN' COUSINS
TITLE: SPLIT
FORMAT: 7"
LABEL: BEAT GENERATION
CATALOGUE NUMBER: BEAT 21

Two spanish bands playing Punk Rock old school!

Compilation of various (and deleted) releases.

The Extroverts are one of those true punk-power pop gems unknown to the mainstream public, but not forgotten by those who remember their old days back in 1979-1982, when they shared the same bill with the likes of D.O.A, Subhumans (CA) and other Canadian punk rock favourites.From the Canadian city of Regina, Saskatchewan, they released just one single at the time. But when they reformed in 2009, they began writing "new" songs with unused, unchanged lyrics written by lyricist Brent Caron in the late 70's, paired with music created by the current day Extroverts, and they recorded them in really good sound quality. Think about the best Exploding Hearts, Pointed Sticks, The Nerves or The Real Kids and you'll get a close picture of these twelve explosive bombs of punk rock and power pop.Only 200 copies in black vinyl.

ARTIST: INSTANT AUTOMATONS
TITLE: SINCERELY MAKING A NOISE
FORMAT: LP
LABEL: BEAT GENERATION
CATALOGUE NUMBER: BEAT 60

Limited edition of 300 copies!

Punk Rock from Madrid!

Follow up to their kick/ass debut that raises the bar on their already no holds barred catchy yet devastating destructive sound. Uniquely formed Spanish hardcore punk supergroup. Their best 10 songs to date, clocking at around 12 minutes!Supergroup with members of Aerobitch, Muletrain, Sudor, Moho, Looking For An Answer, Silla Electrica, Las Señoras, La Fe...etc

Beat Generation is proud to present, at last!, a deluxe vinyl reissue (includes fold out poster!) of the 1980 debut of the legendary Revillos. Following the break-up of the Rezillos, the Revillos were born and would soon release this fun packed whirlwind of frantic new wave, punk rock, 60's pop, classic Rock & Roll, and much more, laced with science-fiction and b movie awesomeness. Clocking barely over 30 minutes the album mixes über catchy original tracks like 'Yeah Yeah', 'Motor Bike Beat', 'Rock-A-Boom' or 'Rev up' with classic covers like 'Cool jerk' or 'Hippy Hippy Sheik', making it an absolutely essential party album. Get ready to rev up!

Beat Generation completes its series of Revillos vinyl reissues with their amazing second, and last, studio album.Originally released in 1982, "Attack" is another gem of pure sci-fi new wave punk madness by these legendary Scottish weirdos. Filled with original hits like 'Sputnik Kiss', 'Snatzomobile' or 'Do The Mutilation', and continuing with their tradition of classic covers like 'Tell Him', the record is a kick-ass follow up to their classic debut. No one beats The Revillos when it comes to hook fueled, day-glo, bubble gum punk and "Attack!" is perfect proof of that.Includes a fold-out poster!!!

Repress! We Have Come For Your Children lost studio mixes.

ARTIST: FASTLOUD
TITLE: DIVE IN A LIFE
FORMAT: LP
LABEL: PICNIC RECORDS
CATALOGUE NUMBER: PR-46

One of the best spanish melodic Hardcore bands!

ARTIST: FRACASO ESCOLAR
TITLER: AMOR EN TEMPS DEL CAPITAL
FORMAT: LP
LABEL: PICNIC RECORDS
CATALOGUE NUMBER: PR-40

Freat stuff for fans of Social Distortion, Leatherface or Descendents...

Limited edition of 1000 copies.

Punk Pop & Power Pop from Spain.

ARTIST: MIGHTY BOMBS
TITLE: NOT OF THIS EARTH
FORMAT: LP
LABEL: LUCINDA RECORDS
CATALOGUE NUMBER: Luca039LP

Punk Rock & Roll ala Bikini Kills, Distillers...

ARTIST: LOS VIVOS
TITLE: ALGO PARA MI
FORMAT: LP
LABEL: NO TOMORROW RECORDS
CATALOGUE NUMBER: NT080

Punk Rock & Roll ala Heartbhreakers, Ramones...

ARTIST: FIERA
TITLE: ALJARAFE
FORMAT: LP
LABEL: HUMO
CATALOGUE NUMBER: HUM-003

Post Punk ala The Fall...

ARTIST: ENDORA Y SUS VICIOS
TITLE: ENDORA Y SUS VICIOS
FORMAT: LP
LABEL: PEOR DIOS RECORDS
CATALOGUE NUMBER: TDIR 022

First album released by this Post Punk/Synth/Punk combo from Barcelona!

The new Green Day album, released in 2020.

Alternate studio takes. Poster sleeve. Repress of the red vinyl 1987 version.

Includes lyric-cartoon insert and sticker. Excellent 'Sub Pop' repro single - a punk classic!

14 songs recorded live by Paul Marotta at Pirate's Cove in Cleveland.
Released for Record Store Day 2015.
1000 pressed.

If you'd been a baker for more than 50 years, you could be forgiven for being sick of the sight of chocolate éclairs. Similarly, a half-century on from the first Stooges album, Iggy Pop has made it clear he's not as in love with rock & roll as he once was. Albums such as 2009's Preliminaires and 2012's Après have found him exploring less aggressive and more thoughtful material, and Iggy continues this trend with 2019's Free. In his liner notes, Iggy writes, "I began to recoil from guitar riffs in favor of guitarscapes, from twangs in favor of horns, from back beat in favor of space," and that's a concise and accurate summary of the sound he approaches on this album. While there are electric guitars on most of these numbers, there's little in the way of fuzz or bark, and a ghostly trumpet and waves of atmospheric keyboards play a much bigger role in the arrangements. Iggy had a hand in writing three of the tracks on Free, but most of the songs were penned by his primarily collaborators on this album, trumpeter Leron Thomas and Noveller, who is credited with "guitarscapes." There are a few playful moments, most notably on the sly and slinky "James Bond," but for the most part, Free finds Iggy contemplating a culture caught in a tailspin, and while no one would have expected the guy singing on Fun House to set Dylan Thomas' "Do Not Go Gentle into That Good Night" to music back in the day, here his deep, craggy voice and tone of weary rage fits the classic verse like a glove. Not everything on this album works, and the sex and porn rant "Dirty Sanchez" may be the stupidest thing Iggy has sung since 2001's misbegotten Beat Em Up, though at least take comfort in the fact he didn't write it. As a detour from rock & roll, Free is a fine and compelling study of the mind and mood of Iggy Pop at the age of 72, and if it's clearly the work of an older artist, that works to its favor, a pointed contrast to the abandon of his youth but with no less gravitas.

(Allmusic.com)

Tracks 1, 2, 6 recorded March 21 & 22, 1977 - Agora, Cleveland, Ohio
Track 8 recorded March 28, 1977 - Aragon, Chicago, Illinois
Tracks 3, 4, 5, 7 recorded October 26, 1977 - Uptown Theatre, Kansas City, Missouri

180 gram vinyl and 4-page fold-out poster-style insert.

Angel Corpus Christi is a San Francisco singer/accordionist who began releasing vintage-sounding pop albums in the '80s.
In 1984, Angel debuted with an album of NYC-related covers (by The Ramones, Lou Reed, etc.) called, fittingly," I Love New York."

Punk/Oi! ala Angelic Upstairs, Blitz or 4 Skins.

Vox and bass is enough for this punk rock attack!

Australian legends of grunge punkpop did their only release in USA back in the early 90s and, as it could not be other way, it was released in Seattle, land of their friends Mudhoney, Nirvana, Pearl Jam, etc. This release was on cd format. Now for the first time this album is released on vinyl, remastered in order to get THE MEANIES most brutal sound and essence. This is a must have album for all fans of Australian underground and American grunge!

Their second album is a combination of metal, punk and rock and roll.

Reissue on vinyl. Post punk ala Television Personalities, The Swell Maps or The Desperate Bicycle.

A violent mix of punk and thrash metal.

NIGHT MIASMA with members from East German Postpunk-band L‘APPEL DU VIDE plays a seldom heard mix of Dark Punk with a very melodic edge reminescent of early LA-Punkbands like Adolescents, 45 Grave or T.S.O.L.. Deep and harmonic vocals borrowed from old british or belgian Postpunkbands and a creepy Coldwave-organ build up a melancholic atmosphere. But the four songs never drift into depressing territory. Melodic guitar hooks and up-tempo drums create a positve despair.

14 anthems from the vaults of Aussie Skinhead gangs 1972-1979.Sharpies were the terror-teen cast of a Richard Allen novel that never was. Although largely synonymous with the early-to-mid 1970s, reports of their violent clashes with rival gangs of Mods are documented as early as 1966. Bored, working-class, suburban kids, their teenage rampage began in Melbourne, Australia, but soon there were Sharpie gangs forming in Sydney, Perth and beyond. For a while they were the untouchables, ruling dances, discos and public transport with their fists. Sharpies were fiercely territorial and divided into different chapters according to location. They would often wage aggressive wars within their tightly delineated sub-gangs, although Mods always remained their archenemies. Sharpie boys and girls wore similar uniforms: a slim-fitting, ribbed and collared cardigan called a Conny, T-shirts, tight jeans (Lee or Levis) and big platform shoes. Hair was worn short or shaved with long wisps at the back, influenced by the British ska, mod and skinhead subcultures. Sharpie girls had their hair slightly longer and often with colored streaks - Bowie-red was their color of choice. Boys often bleached their hair. Tattoos were popular, although many were homemade and poorly executed. Their diet was anthemic glam-rock, kung-fu movies and Kubricks A Clockwork Orange. As the 1970s drew to a close, and new styles like punk and disco began to emerge, Sharpies started to fade. By 1979 they were all but gone. Today they are recognized as an important part of Australian youth culture and social history. This compilation features rare tracks and 'cult' anthems that were the soundtrack to the rise of this Australian answer to the skinhead subculture: with the likes of the Hush, Fat Daddy, Supernaut, Skyhooks, John Paul Young... it can't be missing in any 'Killed By Death' type collection!

Limited edition of 300 copies with members of La Moto De Fernán and Los Ass-Draggers.

The rawest, loudest christmas tribute you're gonna hear in your life.

After twenty years of records and intense live shows, Señor No are one of the best punk rock and high energy combos in Europe. Thyis record is another brick in the wall.

Their third album is another blues punk riot ready to smash your head!

Seventh album of one of the best european high energy/punk rock bands, now with a new line up, three guitars for the first time!

"The Villagers" b/w "Pain and Suffering" (Previously Unreleased Version)
Numbered coloured vinyl.
RSD 2019 Exclusive.

Limited Edition Colour Vinyl

Tracks A1-B2 from a live broadcast by KAOS Community Radio, Olympia, WA, 5th June 1987.
Tracks B3-D4 from a live broadcast recorded at Pat O'Brien Pavilion Del Mar Fairground, CA, 28th December 1991.

Recorded live at the Del Mar Fairground, San Diego, CA, 28-12-1991

Best of Ramones live at Second Chance Saloon, Ann Arbor, MI, USA, February 26th, 1979.

Recorded live in Buffalo on 8th, february 1979.

Street punk rock deluxe.

Street punk and roll deluxe.

An album that opens with a Spanish version of "Situations" by Slaughter & The Dogs makes it clear from the beginning what the unsuspecting listener is going to find throughout the 12 tracks of the new Bonzian installment. Hyper-vitaminized guitars, new-odor aromas, irresistible melodies, catchy choruses, surfer choruses, and above all a lot of attitude.

Punk rock & roll ala Ramones.

KING CAYMAN is Daniel Treviño's solo project. A cannonball of noise and distortion that sounds lo / fi, punk and noise> a cross between Jon Spencer Blues Explosion, Urban Junior and the rest of the Voodoo Rhythm team. Bringing catchy melodies together with reverberating, cavernous vocals, King Cayman filters rock with simple but forceful percussion. The result is a thunderous direct packed with energy.

Punk rock with a pop taste.

Direct heirs of the most visceral bands on the American scene (Poison Idea, GangGreen, The Dwarves, Zeke, New Bomb Turks ...) and after 20 years of career and over 1000 concerts, The Capaces hit again with "Zoetrope", their seventh LP.  Their explosive and particular mix of old school punk-hc and high-octane high speed r'n'r makes them a unique band and an indisputable reference in their genre. Recorded at Ultramarinos Costa Brava studios with the incombustible Santi Garcia at the controls and mixed by Manuel Bernal (also responsible for the recording and mixing of the acclaimed "For good" (2014)), its raw and intense sound acquires here more nuances than ever.  Throughout the ten tracks that make up his latest album, the usual whirlwind of sound gives way to controlled fury, and also to reflection in an album which is an exciting journey of no return, articulated in such a way that it is impossible not to hear it from beginning to end.

From Barcelona, the Ciutat Podrida that La Trapera used to say, we get the second full length (first with Family Spree Recordings) of these four crazy people from different parts of the globe (at the height of cosmopolitanism they are even capable of having a member of Valladolid ) who have found in this band a way to vent their frustrations, release their libido, exorcise their demons and give up (soft) drugs.