Country · Folk · Roots · Americana

Band from Madrid, playing authentic street rock.

ARTIST: THE CARTER FAMILY
TITLE: BRING BACK MY BLUE-EYED BOY TO ME
FORMAT: LP
LABEL: MONK RECORDS
CATALOGUE NUMBER: mk332

ARTIST: JUDY COLLINS
TITLE: COLORS OF THE DAY. THE BEST OF JUDY COLLINS
FORMAT: LP
LABEL: ELEKTRA RECORDS
CATALOGUE NUMBER: EKS-75030

Great compilation released in 1974.

December 2014 is the month. The brand new (and expectant) Los Tupperalbum sees the light. ''Yesterday's Pizza'' is a compendium of garage-blues-rock and pop psychedelic tunes stone baked. Since the publication of ''Sardinista'' Los Tupper have been involved in the recording and production of a couple of gems; ''Throwing Rocks in Heaven'' with the Jacobite Dave Kusworth, and ''Madame Zodiac EP'' joined together with Mr Darrell Bath. With a new line up (Pepe Terán on keyboards), and always looking forward, Los Tupper are working in new songs and preparing the set list for the new album tour. Take your slice of Yesterday's pizza and taste the original flavour of Rock&Roll! Deluxe edition for the vinyl format!

Nikki Sudden and Dave Kusworth, or what is the same, the Jacobites, were formed in the early 80's as one of the most special and essential bands that arose from the underground British scene. Sunthunder Records is proud to be part of the small velvet universe contained in this 7", which contains two unreleased songs by Sudden & Kusworth.
On one side we have a tune that Nikki recorded in 2003 with his friend Joey Skidmore and other French artists. "The Otter Song" keeps the intensity of the greatest Sudden moments, with a remarkable John Rivers as engineer/producer for most of the discography by this Birmingham lot.
So what's on the other side? Dave Kusworth's "Apartment to compartment", an early-day classic on the Jacobites set list, a Rock & Roll smack in the purest Rolling Stones' "Exile on Main Street" style Recorded in Spain with Los Tupper, a Spanish support band that fits the Jacobite sound like a glove.

ARTIST: JOHAN ASHERTON
TITLE: IMPOSSIBLE LIGHT
FORMAT: 7"
LABEL: 442ème RUE
CATALOGIE NUMBER: RUE 005

Limited edition of 300 copies!

ARTIST: J. TEX & THE VOLUNTEERS
TITLE: MERRY CHRISTAMS
FORMAT: 7"
LABEL: HEPTOWN RECORDS
CATALOGUE NUMBER: HTR991

J. Tex released this Christams single in 2011.

Their first album, a powerful combination of Garage and Roots!

ARTIST: BLACKBERRY CLOUDS
TITLE: BLOOD ON HER BOOTS, FLIES ON HIS WOUNDS
FORMAT: LP
LABEL: CLIFFORD RECORDS
CATALOGUE NUMBER: Clifford-063LP

Their new album influenced by american roots music!

It's been worth waiting for Los Tupper's new album is here to stay under the name of ''Hotel Debris''. After the excellent reception of his former ''Yesterday's Pizza'', the band has turned the screw again, exploring new sounds and textures. On this ocassion, they have plunged into the greasy sounds of Mardi Gras, also stopping in those lonely pubs where you can have a pint of lager with Ray Davies or the much missed Kevin Ayers. Their brother out-law, ''the talented Darrel Bath'' collaborates in some tracks.

ARTIST: GRAM PARSONS
TITLE: GRIEVOUS ANGEL
FORMAT: LP (180 gr)
LABEL: RHINO RECORDS
CATALOGUE NUMBER: 8122795955

Parsons' second studio album. Compiled from his 1973 sessions.

ARTIST: BLIND LEMON JEFFERSON
TITLE: BLACK SNAKE MOAN
FORMAT: LP
LABEL: SNAPPER MUSIC
CATALOGUE NUMBER: SBLUELP013

16 historic recordings from the first Country Blues superstar!

ARTIST: THE TRASH MAVERICKS
TITLE: YOU LITTER WE FINE
FORMAT: 7"
LABEL: PURE VINYL RECORDS
CATALOGUE NUMBER: PV 005

Released in 1996 with covers of P.F. Sloan, Bobby Troup and Larry Williams!

If you want to know how to fix your broken heart, if you prefer to dig your blues or if you just want to give up on everything and dance smoothly with a sour drink in you right hand... this Ep is made for you! Four songs in which Gil Rose asserts his own style : deep and light, sincere and elegantly distant... Feeling at home and in good company with the rock'n'roll fellows of Sunthunder Records catalogue, Gil Rose is mostly an original french songwriter... Cheers amis !

ARTIST: FEE REEGA
TITLE: SONAMBULANCIA
FORMAT: LP
LABEL: HUMO
CATALOGUE NUMBER: HUM-005

Psychedelic Folk.

Slipping from the fluffy and funky ''Nous bûmes'' to the Morriconian ''Du même fer'' via the heady ''Hold-up'' and its hail of percussions and acid guitars, ''Sur du velours'' ends with a disillusioned country song. Gil Rose catapults words and music with unrivalled verve and ingenuity aided by the classy musicians of Los Tupper. French elegance and groovy sounds, this one is high art.

(Alain Feydri)

Once upon a time there was a prince who lived in a velvet castle. He was a Rock&Roll outlaw and sometimes he crossed the sea to play with a band of gypsies. In this second album together, ''Cinderella's shoes'', you're going to find the same ingredientes than in their previous, but a little bit older & wiser: romantic tales, dirty fairy legends, bastardian nouvelle and kinky voudeville. If I were you, I wouldn't miss the ball. There is free bar, music never stops and the stepsisters are available after midnight. We are sure, these shoes are made for you.

WarPaint Live finds the Black Crowes running through their 2008 comeback Warpaint in its entirety during a gig in Los Angeles, adding a five-song coda of covers and Crowes classics. Warpaint was a reunion and revitalization for the Black Crowes, their best album in a long time, and much of that renewed energy can be heard in this performance, which manages to be loose and tight, the work of a band comfortable in its own skin and strength. Apart from the closing covers, highlighted by a coolly confident "Torn and Frayed" and a raucous "Hey Grandma," surprises are a bit hard to come by, but that's not a problem because the band never sounds tired; they're engaged, so it's hard not to be swept up in their enthusiasm too.

(Allmusic.com)

To put the performance on Johnny Cash at San Quentin in a bit of perspective: Johnny Cash's key partner in the Tennessee Two, guitarist Luther Perkins, died in August 1968, just seven months before this set was recorded in February 1969. In addition to that, Cash was nearing the peak of his popularity -- his 1968 live album, At Folsom Prison, was a smash success -- but he was nearly at his wildest in his personal life, which surely spilled over into his performance. All of this sets the stage for Johnny Cash at San Quentin, a nominal sequel to At Folsom Prison that surpasses its predecessor and captures Cash at his rawest and wildest. Part of this is due to how he feeds off of his captive audience, playing to the prisoners and seeming like one of them, but it's also due to the shifting dynamic within the band. Without Perkins, Cash isn't tied to the percolating two-step that defined his music to that point. Sure, it's still there, but it has a different feel coming from a different guitarist, and Cash sounds unhinged as he careens through his jailhouse ballads, old hits, and rockabilly-styled ravers, and even covers the Lovin' Spoonful ("Darlin' Companion"). No other Johnny Cash record sounds as wild as this. He sounds like an outlaw and renegade here, which is what gives it power -- listen to "A Boy Named Sue," a Shel Silverstein composition that could have been too cute by half, but is rescued by the wild-eyed, committed performance by Cash, where it sounds like he really was set on murdering that son of a bitch who named him Sue. He sounds that way throughout the record, and while most of the best moments did make it to the original 1969 album, the 2000 Columbia/Legacy release eclipses it by presenting nine previously unreleased bonus tracks, doubling the album's length, and presenting such insanely wild numbers as "Big River" as well as sweeter selections like "Daddy Sang Bass." Now, that's the only way to get the record, and that's how it should be, because this extra material makes a legendary album all the greater -- in fact, it helps make a case that this is the best Johnny Cash album ever cut.

(Allmusic.com)

Compilation with live tracks from 1951.

Stereo reissue of his first album, released in 1962.

Reissue of his album from 1988.

Reissue of his album from 1983.

Reissue of his album from 1974.

Reissue of his album from 1990.

Reissue of his album from 1973, soundtrack of Sam Peckinpah's movie.

Originally released back in 1985, finally this record is reissued, remasteded, with added protography, lyrics, and 2 bonus tracks from the recording!.Magnum opus in his solo career, Jeffrey Lee Pierce, leader of THE GUN CLUB recorded this wonder during the mid 80s.This record meant for Jeffrey Lee Pierce an hiatus during The Gun Club life, and in reality it sounds purely like another Gun Club album! Complex compositions performed with excellence that, once again, put Jeffrey Lee Pierce as one of the most important and influential artists of the 80s & 90s.

At last! Originally released only on CD in 1993, here it is this master piece from cult Australian artists Louis Tillett and Charlie Owen (The Beasts of Bourbon). Acoustic album with piano and guitar where Louis Tillett prints his most intimate, dark and emotional art in the shape of precious melodies, supported and backed by Charlie Owen. This album is absolutely mandatory for all fans of Louis Tillett and The Beasts of Bourbon. Stay alert because this is a short edition of 300 copies only! It was necessary to be released on vinyl, no doubt.

Peralta with Sid Griffin (Long Ryders, Coald Porters) covering Flying Burrito Brothers.

Four shots of western swing.

New single of one of the best european bands playing americana music.

One of the most important american musician in the last 30 years releases this ep of 4 songs with his band from New Jersey coinciding with his spanish gigs.

Rock and roll influenced by 70s Stones, Tom Petty...

Reissue of their album from 1977.

Live Radio Broadcast, Best Of Live at The Greek Theatre, Los Angeles, June 15th, 199