TUMBA SWING Bucles De Arrabal (LP)

15.99 €
PRODUCT CODE: FOLC084

Availability: In stock

Quick Overview

He is a musician, comic book artist, and tattoo artist (with a worrying addiction to the color black). Above all, he is an excellent storyteller. Don Rogelio J, who we are used to seeing leading the trash 'n' roll trio Atomic Howl, returns to the ring in its most rugged and lonely version, the one-man band Tumba Swing. He returns with a new musical concept and a renewed repertoire of nocturnal tales in which his peculiar alloy of surrealism and black humor always appears. “Bucles de arrabal” is the title of Tumba Swing's second LP, after “Solo y badly accompanied” (2012) and the EP’s “Tumba Swing” (2011) and “Electric Lament” (2013). Released by Discos Calamidad and distributed by Folc records, this latest album represents a turning point in the deliberately rickety sound that Tumba Swing had us used to. The addition of more instruments - melodica, harmonica, mouth harp, theremin, stylophone, percussion with garbage cans, etc.-, as well as greater attention to production, translate into a multiplication of sound textures. In the compositional aspect, we are also facing a more minimalist work, which abounds in the concept of existential loop by placing the repetitions and loops at the core of each cut.


Details

He is a musician, comic book artist, and tattoo artist (with a worrying addiction to the color black). Above all, he is an excellent storyteller. Don Rogelio J, who we are used to seeing leading the trash 'n' roll trio Atomic Howl, returns to the ring in its most rugged and lonely version, the one-man band Tumba Swing. He returns with a new musical concept and a renewed repertoire of nocturnal tales in which his peculiar alloy of surrealism and black humor always appears. “Bucles de arrabal” is the title of Tumba Swing's second LP, after “Solo y badly accompanied” (2012) and the EP’s “Tumba Swing” (2011) and “Electric Lament” (2013). Released by Discos Calamidad and distributed by Folc records, this latest album represents a turning point in the deliberately rickety sound that Tumba Swing had us used to. The addition of more instruments - melodica, harmonica, mouth harp, theremin, stylophone, percussion with garbage cans, etc.-, as well as greater attention to production, translate into a multiplication of sound textures. In the compositional aspect, we are also facing a more minimalist work, which abounds in the concept of existential loop by placing the repetitions and loops at the core of each cut.

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